1LA1S AND FKJfiTEXTS
Mon front est rouge encor du baiser de la reine.
J'ai reve dans la grotte ou nage la Sirene,
Et j'ai deux fois vainqueur traverse P Acheron,
Modulant tour a tour sur la lyre d'Orphee
Les soupirs de la sainte et les cris de la fee.
GERARD DE NERVAL.
De Nerval's is an incantation of the ' A-kid-I-fell-into-
the-milk5 variety. His magic, like Darley's, is the
magic of symbols and allusions^only the symbols are
more esoteric than Barley's straightforward Phoenix,
the allusions are not to a philosophy but to events in the
private life, perhaps even in the dream life, of the poet.
Darley only suffered from a soul-disfiguring stammer.
Nerval was eccentric to the point of occasional madness.
He ended his life hanging from a lamp-post. We
divine in the obscure, private magic of the poem its
author's suicidal loneliness and isolation. The Sur-
realistes,
and all those who without calling themselves
by that name conform more or less completely to sur-
realisie
practice, have methodized Nerval's madness.
The impenetrable magic of private allusion and dream
symbol—this is their classical style.
Gaze not on swans in whose soft breast
A full-hatched beauty seems to nest,
Nor snow which, falling from the sky,
Hovers in its virginity.
Gaze not on roses, though new-blown,
Graced with a fresh complexion,
Nor lilies which no subtle bee
Hath robbed by Hssing-chemistry.
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